Hardcore artist Matthew Barney is trying to explain
the attraction that comes from hardcore-concerts. It is the violent dancing.
Violent dancing has its origins in the 80’s.
At the beginning it was called slumdancing and was
something like a modification of Pogo, the much softer and less dangerous
punk-dance.
In those times it consisted of hustling each other,
strutting around in a circle, swinging the arms and hitting everyone within
reach. Another important part was the stagediving - first getting as close as
possible to the band and then jump into the others. But the audience was often
split in two parts, those who wanted to have fun and the "hooligans",
those who were looking for trouble and just wanted to hit somebody. That's why
there were so many injuries like broken bones and cracked skulls.
Nowadays nothing really has changed. There are still
those who want to have fun and want to show their newest dance moves and those
who attend a concert to “smash someone’s face” and in most of the cases they
don't even stop for nobody not even for
girls.
Only the name has changed - it is no longer called
slumdancing but
moshing.
In the 2000s some different kinds or parts of moshing
developed, which all take place in the so-called moshpit, this is the space in
front of the stage, the kids constitute something like a circle were they can
make their moves.
These moves are for instance the “Wall of Death”,
where two groups of people stand in a row adverse each other and when the band
gives the sign they run and crash against each other.
Another one is the “Circlepit”, where those standing
in the moshpit run around in a big circle.
That's about the history behind this weird kind of
dancing.
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